Zagreb/Agram als zeremonieller Raum 1895: Kaiser Franz Joseph und dynastische Repräsentation (CROSBI ID 62228)
Prilog u knjizi | ostalo | međunarodna recenzija
Podaci o odgovornosti
Šimetin Šegvić, Filip
njemački
Zagreb/Agram als zeremonieller Raum 1895: Kaiser Franz Joseph und dynastische Repräsentation
In 1895, awaiting the long anticipated royal visit of Emperor Francis Joseph I, the city of Zagreb was transformed into a giant ceremonial space marked by architecture as well as festive and patriotic decorations, evoking different political and cultural symbolisms. Combined with the strict official program of the three- day visit these components not only defined the festivities visually, but also helped organizing space for the masses that came to the city (citizens, visitors from all over Croatia-Slavonia, Dalmatia, Istria, Hungary, etc.) as well as preparing the patriotic mind frame of the jubilant crowds that awaited their Emperor. Yet, different visions of Empire, state and patriotism collided with each other on several official or inofficial levels, turning the celebratory ‘parade of culture’ designed by Banus Károly Khuen-Héderváry with the intention to present the success of his rule in Croatia- Slavonia as well as the stability of the dualist system in general, into a political affair with dire consequences.
Kaiser Franz Joseph, Agram, 1895, Kulturfest, Architektur, Kroatien, Habsburgerreich
nije evidentirano
engleski
Zagreb/Agram as Ceremonial Space 1895: Emperor Francis Joseph and Dynastic Representation
nije evidentirano
Emperor Francis Joseph, Zagreb, 1895, Cultural celebration, Architecture, Croatia, Habsburg Empire
nije evidentirano
Podaci o prilogu
367-390.
objavljeno
Podaci o knjizi
Die Repräsentation der Habsburg-Lothringischen Dynastie in Musik, visuellen Medien und Architektur, ca. 1618- 1918/Representing the Habsburg -Lorraine Dynasty in Music, Visual Media and Architecture, ca. 1618-1918
Telesko, Werner
Beč: Böhlau Verlag
2017.
978-3-205-20507-4